Key Highlights
- A creative collaboration between AUDEMARS PIGUET and Tokyo-based duo Yoon and Verbal produced the Royal Oak Concept Flying Tourbillon (Ref. 26643TI.OO.D002CA.01).
- The project bridges two distinct creative worlds: the fast-moving pace of fashion and the deep, deliberate craft of Swiss fine watchmaking.
- Le Brassus, the historic home of AUDEMARS PIGUET in the Swiss Vallée de Joux, served as an inspirational anchor for the collaboration.
- The juxtaposition of legacy and modern inspiration is cited as the conceptual foundation of the watch.
A Conversation Between Two Worlds
Few collaborations in contemporary horology are as charged with creative contrast as this one. AUDEMARS PIGUET, founded in 1875 and headquartered in Le Brassus in the Swiss Jura mountains, has long operated at the intersection of technical mastery and bold design. Its official brand identity is built on the idea that tradition need not resist modernity — it can absorb and transform it.
Into that philosophy steps Yoon and Verbal, a creative duo whose work is deeply embedded in Tokyo’s fashion and cultural landscape. Their world moves at an entirely different rhythm — collections conceived and released within compressed timeframes, driven by immediacy and cultural currency. That tension between speed and slowness, between the ephemeral and the enduring, became the very engine of this project.
The visit to Le Brassus proved formative. Encountering the maison’s workshops and its accumulated knowledge firsthand gave the collaboration a grounding that purely conceptual exchanges rarely achieve. It translated into a watch that carries the weight of horological heritage while speaking the language of contemporary design.
The Royal Oak Concept Flying Tourbillon
The Royal Oak Concept line has always functioned as AUDEMARS PIGUET’s most forward-looking platform — a space where the manufacture pushes both technical and aesthetic boundaries beyond what the classic Royal Oak would permit. The Flying Tourbillon complication sits at the heart of this particular piece, a mechanism that suspends the regulating organ without the traditional upper bridge, creating a sense of openness and visual drama on the dial.
Reference 26643TI.OO.D002CA.01 is the specific expression that emerged from the Yoon and Verbal dialogue. While the source materials do not detail individual specifications beyond the reference number, the Royal Oak Concept architecture is recognisable for its architectural case design — itself a descendant of the iconic Royal Oak, first introduced by Gérald Genta in 1972. The concept sub-line takes that foundation and deliberately dismantles convention around it.
From Tokyo to Le Brassus
The geographic and cultural distance between Tokyo and Le Brassus is considerable, and that distance proved productive. Yoon and Verbal brought an outsider’s eye to a maison steeped in centuries of craft — noticing things that insiders might overlook, asking questions that specialists rarely think to raise. The result, as described in the campaign, is a watch born from the “juxtaposition of legacy and modern inspiration.” That phrase is not decorative; it describes the genuine friction that made the collaboration meaningful rather than merely cosmetic.
Fashion Pace Meets Horological Depth
One of the more candid observations to emerge from this project is the acknowledgement that fashion and watchmaking operate on fundamentally different timescales. In fashion, the ability to make and release within a very short period is both a discipline and a competitive necessity. Fine watchmaking, by contrast, is measured in years of development, hand-finishing, and iterative refinement. Bringing these two cadences into dialogue — rather than forcing one to mimic the other — is what gives this Royal Oak Concept Flying Tourbillon its conceptual integrity.
For collectors in the GCC region, where appetite for limited and collaborative timepieces remains strong across markets such as Dubai, Riyadh, and Doha, a release of this nature carries particular resonance. The region’s watch community has consistently embraced pieces that combine haute horlogerie credentials with a distinct cultural story, and the Tokyo–Le Brassus axis gives this watch a narrative that stands apart from more conventional manufacture releases. Events like Watches and Wonders continue to serve as key touchpoints for regional collectors tracking such launches.
Why It Matters
The Royal Oak Concept Flying Tourbillon born from the Yoon and Verbal collaboration demonstrates that meaningful creative exchange can produce watches with genuine conceptual depth, not merely novelty. For GCC collectors and luxury enthusiasts who value both horological substance and cultural provenance, this piece represents exactly the kind of purposeful partnership that elevates a timepiece beyond its mechanical specification. It is a watch with a story that begins in Tokyo and takes permanent form in Le Brassus.
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Frequently Asked Questions
Who collaborated with AUDEMARS PIGUET on the Royal Oak Concept Flying Tourbillon?
The Royal Oak Concept Flying Tourbillon was shaped through a creative dialogue between AUDEMARS PIGUET and Yoon and Verbal, a creative duo rooted in Tokyo's fashion world.
What is the reference number of the Royal Oak Concept Flying Tourbillon created with Yoon and Verbal?
The watch carries reference number 26643TI.OO.D002CA.01, as listed in the official campaign materials.
Where can I find more details about the Royal Oak Concept Flying Tourbillon by Yoon and Verbal?
Full details on the Royal Oak Concept Flying Tourbillon collaboration with Yoon and Verbal are available via the official AUDEMARS PIGUET campaign page at aplb.ch/en/royal-oak-concept-YV.


