The Piece in Focus
- Graff’s Tilda’s Bow High Jewellery necklace is a 62-carat diamond composition arranged in a single continuous bow, combining oval Fancy Intense Yellow diamonds with more than 560 white diamonds set in a design the Maison describes as “one effortless loop.”
- Every ribbon edge is outlined in a continuous band of yellow pavé, creating a golden border that gives the bow’s silhouette visual depth beyond what a monochromatic setting could produce.
- Custom-cut baguette diamonds are individually shaped by Graff’s master cutters to follow the bow’s three-dimensional curves, alongside round brilliant-cut stones across broader surfaces.
- The piece is handcrafted entirely at the Graff workshop in London and sits within a wider Tilda’s Bow campaign shot by photographer Liz Collins.

Setting and the Bow’s Architecture
Sixty-two carats across a single looping form is a compositional commitment that leaves no room for structural compromise. Graff’s setters position oval Fancy Intense Yellows at the composition’s centre, surrounded by a field of more than 560 white diamonds whose crisp brilliance amplifies the warmth of the coloured stones by contrast. The yellow stones read, against that cooler ground, as concentrated points of radiance rather than decorative additions.
The yellow pavé edge is the necklace’s most precise technical distinction. A continuous band of small yellow diamonds lines every ribbon edge, giving the bow’s silhouette a warm golden outline that functions independently of the larger centre stones. Graff describes the resulting effect as “a study in light and movement” — and the phrase is accurate. The eye traces the ribbon’s curves through that warm border as much as through the white diamond surface it contains.

Stone Artistry: Fancy Intense Yellow
Fancy Intense Yellow occupies a precise position on the coloured diamond grading scale, sitting above Fancy Light and Fancy and below only Fancy Vivid. At this grade, the yellow is unmistakably saturated — a deep, radiant gold that holds its character under any quality of light. Graff’s relationship with yellow diamonds of this calibre is long-established; the House has handled some of the most significant yellow stones in the historical record.
The optical behaviour that makes these stones so effective in the Tilda’s Bow necklace is their chromatic brilliance. Where white diamonds return colourless fire, Fancy Intense Yellows shift between gold, honey, and citrine as the surrounding illumination changes. Graff has described its yellow diamonds as capturing “the brilliance of pure sunlight in every facet” — and within this necklace, that quality is in direct conversation with the white diamond field that surrounds them. For GCC collectors who wear high jewellery under the particular quality of Gulf light, the interplay is especially pronounced.

Atelier Work and Collection Context
The Tilda’s Bow bow motif requires the setting to follow a complex three-dimensional curve that twists, loops, and crosses itself while reading as a freshly tied ribbon. Achieving that appearance in stone and metal requires custom-cut baguette diamonds shaped individually by Graff’s London workshop to track every winding section of the form. The atelier, operating as the single location where every Graff creation is designed, set, and finished, is the direct source of that precision.
Tilda’s Bow draws its name from a member of the Graff family, and the collection reflects the structure of a Maison founded by Laurence Graff in 1960 and now led by his son François Graff, with three generations actively involved. The bow as a motif carries that family dimension — it binds, secures, and can be untied and retied. Across the wider campaign, which spans necklaces, earrings, bracelets, rings, and timepieces, the motif retains what Graff identifies as “feminine, delicate and rich in symbolism” while the design treatment keeps the loops and curves feeling organic. For collectors drawn to high jewellery houses such as Van Cleef & Arpels, Bulgari, or Chopard, the Tilda’s Bow necklace represents Graff’s most considered statement on what coloured diamond high jewellery can achieve at 62 carats.

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Frequently Asked Questions
How many carats of diamonds does the Graff Tilda's Bow High Jewellery necklace contain?
The Tilda's Bow High Jewellery necklace carries a total of 62 carats of yellow and white diamonds. The centre stones are oval Fancy Intense Yellow diamonds, accompanied by more than 560 white diamonds.
What is the Tilda's Bow collection and why is it named that way?
Tilda's Bow is a Graff High Jewellery collection inspired by family connections and continuity within the House. The bow motif is named after a member of the Graff family, and the collection reflects the ethos of a Maison founded by Laurence Graff in 1960 and now led by his son François Graff, with three generations actively involved.
Where is the Graff Tilda's Bow necklace made?
Every piece in the Tilda's Bow collection, including the 62-carat High Jewellery necklace, is handcrafted at the Graff workshop in London, where design, setting, and finishing all take place under one roof.
What makes Fancy Intense Yellow diamonds special in the Graff Tilda's Bow necklace?
Fancy Intense Yellow is a high grade on the coloured diamond colour scale, representing deeply saturated, unmistakably warm colour. In the Tilda's Bow necklace, these stones produce chromatic brilliance that shifts between gold, honey, and citrine tones depending on surrounding light, contrasting directly with the more than 560 white diamonds in the composition.
Is the Graff Tilda's Bow necklace part of a wider jewellery suite?
The 62-carat necklace anchors a broader Tilda's Bow campaign that spans necklaces, earrings, bracelets, rings, and timepieces across multiple tiers of the Graff catalogue. The campaign was shot in London by photographer Liz Collins.



