Grand Feu Enamel Blue Peacock
October 03, 2017
At the dawn of the 19th century, Edouard Bovet took the decorative arts – and miniature enameling in particular – to new heights, establishing the standards of Swiss watchmaking in the process. In accordance with the conventions of the time, he employed the best watchmakers in the Val-de-Travers and entrusted the case decoration to the enamellers whose workshops were located in Geneva. The greatest artists of this golden age continue to contribute today to the reputation of BOVET 1822 timepieces.
Today, Pascal Raffy, the owner of BOVET 1822 and the DIMIER 1738 Manufacture, is once again asserting his desire to safeguard and perpetuate the traditional decorative arts of watchmaking consistent with the noblest expression of time. He has naturally insisted on employing the same working methods, the same techniques and the same rigor as his illustrious predecessors in this new collection, which has undeniably redefined the very concept of excellence. This feat is all the more impressive given that today’s timepieces diameters are smaller than those of 19th century pocket watches. It is thus the shared values for uniqueness and passion for fine art that has brought together Mr. Raffy and Ilgiz Fazulzyanov.
The specialists designate him as the heir of the most illustrious enameller of history as Lissignol, Richter, Liotard or even Huaut. Many on this list of non-exhaustive artists that made the reputation of the enamels from Geneva have moreover collaborated with the House of BOVET in the 19th century.
But on top of a mind-blowing technical and artistic know-how of miniature painting in “grand feu ” enamel, Ilgiz Fazulzyanov is one of the most well-known creative jewellers of his generation. The exclusive collection of true pieces that BOVET 1822 and Ilgiz F. is unveiling will therefore not take the specialists and collectors of 19th century by surprise since it puts itself in the direct line of the historical pocket watches made by the BOVET brothers. The first accomplishments of this collection focus around 2 themes. The Horsemen of the Apocalypse for the men’s timepieces while for women the inspiration comes from nature with mainly floral themes.
Ilgiz F.‘s exceptional talent in all disciplines and techniques of jewellery combined with the excellency that characterises the BOVET timepieces reaches such heights that the Kremlin Museums have decided to open its doors for a unique exhibit. It is the first solo exhibition of contemporary Russian jeweller in Moscow Kremlin Museums since Pierre-Karl Fabergé in 1917 and some ofthe BOVET timepieces arising from this partnership will be exhibited.